Pert Near Sandstone & 500 Miles to Memphis

Take old time music off the back porch, throw out the hillbilly reputation, and put it in the hands of a group of guys that like to work hard and play even harder. Pert Near Sandstone rejuvenates American stringband music with raw energy; they play tightly-crafted original material that lends itself to the modern audience, as well as being stewards of the old-time and bluegrass traditions. They are just as at home playing fully acoustic in the traditional style as they are plugged in at an indie rock venue. From saloons to theaters, hollering into a single microphone and laying thick rhythm on driving fiddle melodies, their sweat-inducing, foot-stomping live performances keep crowds begging for more all night long.Pert Near Sandstone emerged from the same roots-based musical hotbed in Minneapolis that gave birth to Bob Dylan, The Jayhawks and Spider John Koerner. Originally formed by four friends from the same hometown, Pert Near Sandstone formed unintentionally over weekly, whiskey-fueled picking sessions in an old house in St. Paul, MN. They decided without any real intentions to start playing shows and the chemistry of their music and friendships, even early on, left people feeling like the party followed them everywhere they went. Word of the bands’ uncanny ability to whip audiences into frenzies spread and they were invited to play some of Minnesota’s most legendary venues including First Avenue, the Cedar Cultural Center and the Historic Orpheum Theater.The band has been taking their show across the country, paying their dues in smoke filled taverns and roadside juke joints while organically building a dedicated following from coast-to-coast. Their formative years on the road painstakingly paved the Pert Near path as the band traversed from city-to-city winning over audiences “the old fashioned way”; face-to-face. Over the course of the next five years, the band maintained a full touring schedule appearing at many national festivals and sharing the stage with many legendary musical talents; the likes of Del McCoury, WILCO and Yonder Mountain Stringband.In 2008, Pert Near Sandstone was hand-picked by Garrison Keillor to appear as the featured musical guest on A Prairie Home Companion where Garrison proclaimed that, “The group has become a force on the Minnesota roots music scene and beyond.” Fellow Minnesota speed-grass band Trampled by Turtles is proud to wave the Pert Near flag high and wide with band leader Dave Simonett calling Pert Near Sandstone one of his “favorite contemporary bluegrass acts in the United States.”The band’s stock is sharply on the rise with their recent victory at the prestigious Northwest String Summit Band Competition. The band’s originally arranged rendition of The Beatles’ “I Am The Walrus”, from the Minnesota Beatle Project Volume 2 (2010), was inducted into Minnesota Public Radio’s (89.3 The Current) Chart Show Hall of Fame in January of 2011 following 12 weeks on the Top 20 list; 10 of these weeks in the top 5, and 5 weeks at #1.With the release of their fourth album, Paradise Hop, Pert Near Sandstone has managed to harness the raw energy of their famed live shows and inject it into 12 tracks of original material and a couple of originally arranged traditional songs sprinkled on top. The band’s trials and tribulations, encountered during life on the road as a Modern American Strigband, spill out in vivid detail on tracks like “Long Decline”, “Appalachian Girl” and “Solid Gone”. Wild-eyed, lightning fast tracks like “Reuben’s Train”, “Crossroads” and “Paradise Hop” place the band’s commanding technical prowess front-and-center, while a much more cerebral and introspective facet of the band’s songwriting shines through on tracks like “Save Me” and “Parse”. Paradise Hop is a celebration of life in all of its glorious peaks and torturously painful valleys that leaves listeners with an acute sense of what it’s like to step into the beautifully twisted world of Pert Near Sandstone.

“Incredibly dark, sinister and unbelievably brilliant…” – Dayton City Paper”An exercise in American Eclectic: gritty, dirty and damn good.” – Independent Weekly”Harnessing the bucking bronco of country punk and holding on for dear life.” – Knoxville Metro Pulse”Bridging the spirit of sweaty punk and old-school country, 500 MILES TO MEMPHIS is irresistible.” – CiN Weekly”500MTM are one of the best known and beloved bands known for getting people who hate country to make an exception on their behalf.” – No DepressionLead by playfully angry and charismatic front man, Ryan Malott, 500 Miles to Memphis has received international praise for their ability to satisfy the musical hunger of fans in both country and alternative/punk genres. Right out of the gate, fans will hear dramatic differences from the previous album “Sunshine in a Shot Glass”. 500 Miles To Memphis has re-invented themselves without compromising the blood, sweat, and tears from previous releases, creating an album that’s nothing short of riveting. “We’ve Built Up to Nothing” has cut after cut of instantly memorable hooks, screaming guitars, Beatles-inspired harmonies, and even a full orchestra. Produced by platinum award-winning producer, Erwin Musper (Scorpions, Van Halen, Def Leppard, David Bowie, Mick Jagger,…), the new cd is being shopped to major record labels, both in the US and internationally… as well as to film/television studios worldwide.